To our alumni and friends, please join us on March 14th from 6-9 PM for our 150th anniversary.
RSVP to our event at this link.
For what it is, BroadwaySF’s production of “The SpongeBob Musical” did well at leaning into the campy humor of its source material, never trying to take itself more seriously than its audience.
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Each actor portrayed their characters’ singular perspectives as the musical’s narrative progressed, channeling the swoons and sorrows of every musical number.
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It was an inescapable fact: This tour would be the swan song of celebrated Captain Hodgson’s topsy-turvy ship.
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With the perfect amount of distortion and fuzzy vocals to evoke the image of a 1950s boy band, SadGirl played a romantic, raw show to its hungry fans.
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With PREP’s smooth, futuristic music and incorporation of electronica coupled with soft sounds brought straight from the 1970s, it’s clear why the show was such a hit.
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Lil Tjay’s most avid fans could be found whipping their hair in the balcony corners, tucked behind the Regency Ballroom’s gargantuan hanging speakers.
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Even with excellent source material and a promising cast, “Downhill” fails to stick its landing.
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My favorite thing about love letters isn’t the sentiment or the craft, however — it’s the generality.
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If smooth yacht rock and electronic pop band PREP isn’t on everyone’s radar already, it should be.
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Chastity Belt doesn’t make loud, energetic music, but the energy in the room was beyond electric as fans swayed to the songs.
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